Blagorodnyie forms in interere

Est in design the themes close to the examination. But here paradox: the, apparently, it is more obvious they than itself have reached, the more wishing to find in them something, new, not experienced by predecessors. In stylistics, in koloristike, there are such subjects and, certainly, such forms. To the category last, unconditionally, base circle and a square, and their derivatives - a cube and a sphere concern.

They can play hide-and-seek and only vaguely be guessed in outlines. And can be so obvious, that before us there is not socubic armchair, and a cube in which the armchair is hardly learnt. A special charm of a similar sort of things that their implicit, but very readable communication allows to pack from them the most motley interior. Where nevertheless there will be an imperceptible uniting motive. That is especially actual in modern diverse and multilayered style space.

Occurrence of any of these elements in a subject there and then pushes the designer on variety of actions. First, to squeeze out of the noble form all possible associations and implied senses. Secondly, to try to express it in own way. Thirdly, games are conducted both with a material cube or a sphere, and with emptiness in for cube or a sphere, with details in the form of a cube or a sphere, at last, with their diagonals, corners, the centre and other parts.

It in own way is similar to search of a philosophical stone or a gold pill of immortality: at any stage the result is replaced with process, and game becomes more important than a victory. And to win unequal struggle with own human izobrete-niem — a geometrical body — it would be desirable, It would be desirable to find a threshold of its cognizance, its functionality, to check up on it all materials, colours and invoices. It is very important to prove to itself, that the limit of imagination is not present and is not expected. As in the plan, both on a facade, and in volume each epoch and each style even such strict and matematicheski the verified figure on-draw in own way.

Actually these games — not only a fruit of ambitions. Such figures are very stable, economic, practical and are perfectly aesthetic. It is difficult to argue with mathematical calculations on rigidity of a design and the rational area of a surface at the set volume. It is difficult to find something so neutral, however and expressive. It is unimportant, whether the subject from cubes gathers, whether a series of cubic subjects is entered in an interior square, or panels chlenyatsya in the form of squares. In any case ideal "joining" to you it is guaranteed.

Square and circle self-determination looks approximately thus. A round table — from a circle of contacts, from tradition of king Arthur, from equality and a unification, from convenience of a review, it is simple from logic of ware and everything, that on such table places. The table square obliges to more contradictory behaviour, to easy rivalry and some confrontation. Therefore the square meets not in horizontal, and in vertical performance where opposition top and bottom, right and left does not carry personal colouring is more often.

The square or cubic bed (if to add fashionable nowadays baldahin) is besides logical and stable in mentality of the majority of cultures. Round can be banketka or a sofa for short-term rest. Probably, therefore as a rule round padded stools and stools are successful, and is much more rare — armchairs and chairs. A roundabout - entertainment not for all. Recollect, during epoch of the "round" earth all were torn to changes and the rational system of a world order. And in days of the earth "square", on the contrary, aspired to preservation and maintenance of stability and not aggravation of the existing. Pleasantly and normally to lean against the figure which has logically connected a statics and dynamics, accepting two-unity of the world — a square and cubic And it is more dangerous to lean on potentially explosive, though outwardly closed, without the beginning and the end, without chelove-cheskoj logicians of a back and the person a sphere, a circle.

However we will return to furniture. By a square and a cube there have not passed neither fixtures, nor plates, "soft" and "rigid" furniture. Form so constrained outwardly allows to be played inside: the rigid geometry "keeps" partitionings, chaotic ornaments, contrast colours. Besides, occurrence of so significant figures in retinue, like flashing in episodes of known actors, decorates even a block of commercials. The round pillow, a square back, a cubic shelf will not spoil, and will add any subject, as though it was under construction in itself.

Peer into furniture more attentively. There, where there have passed our heroes, always there is an element of dignity and klassichnosti, stability and strong base.

And most, perhaps, attractive, that geometrically accurate element allocates with the authority and not passing value any material. The cardboard box looks so solidly as a stone cube, plastic finds weightiness of metal, and a fabric – shine of a skin. Perhaps therefore to old as the world, to forms also have returned to times DSP and the glasses, the made foam polymers and kleenyih designs. Visually all materials are equalised, having hardly transformed to a sphere or a cube, a square or a circle. Materials, and even pieces of furniture will be invented, styles will be replaced. But mroda on eternal figures – mysterious, as sphinxes and clear as the sun – will not pass never. The easier, the is more durable; the more clearly, the more mysteriously, the more clearly, the in the big comments requires. And the main thing – from all points the cube and a sphere, a circle and a square are beautiful.

On journal materials "Salon-interior"

Construction & Building

Blagorodnyie forms in interere

Blagorodnyie forms in interere